Pirates of the Caribbean: On Stranger Tides
I am not a big fan of the Pirates of the Caribbean movies. The first one was genuinely entertaining, introducing the world to a new kind of pirate with Captain Jack Sparrow (courtesy of Johnny Depp) and starting a franchise that became increasingly over-the-top and bloated. The second film was an absolute mess, and the third was only better because it actually had an ending. And perhaps worst of all, the sequels managed to turn the roguishly fun anti-hero Jack Sparrow into a complete d-bag. I know other folks still liked his character, but I found him to be unlikeable and annoying. In fact, by the end of the third movie, the only character I even remotely cared about was Orlando Bloom's Will.
So now I have finally seen the fourth movie. The first thing I noticed is that the producers seem to have realized that they went a bit too far with the earlier sequels and have reeled the franchise back in a bit. But were they successful in making a better movie? Did they manage to right the ship, so to speak?
Not really. Though they make a good effort.
On Stranger Tides brings us a new mystical location for everyone to pine over: the Fountain of Youth. Blackbeard (Ian McShane) wants to find it badly because he senses his death is fast approaching. He uses his daughter Angelika (Penelope Cruz) to enlist the one man who may know where the Fountain is - a former lover, none other than Jack Sparrow. But Blackbeard and Sparrow are not the only players in the game. The Spanish want to find the Fountain, too. And Sparrow's old nemesis, Captain Barbosa (a scenery-chewing Geoffrey Rush) is also on the hunt, though his ultimate target is a bit different. There is also a random missionary, Philip (Sam Claflin), who seems to be in the film for no other reason than to be a stud-muffin for the mermaids to fall in love with.
Mermaids, you say? Aye, there be mermaids. In order to find the Fountain of Youth, the pirates need to capture a mermaid, and that mermaid "fishing" scene is probably one of the best sequences of the film, starting off full of eerie atmosphere and genuine tension. It is a certainly a far more exciting scene than the ridiculous climax, which is a chaotic set piece where all of our moving parts finally come together in a way that makes no sense...
There are other parts of the film that I do like. Director Rob Marshall (Chicago) has a good eye for art direction and he also keeps the film moving along at a nice clip. The cast is pretty solid, though Ian McShane's Blackbeard and Johnny Depp's Jack Sparrow are the real stars of the show. In some ways, the reclamation of Jack Sparrow is the best part of the movie. They made him the loveable rogue that he was in the original, and that was great to see. He is just a helluva lot of fun.
And I do appreciate that they toned back from the massive special effects behemoth to an adventure that is a bit smaller in scale. But there are just too many problems with the film that kept me from liking it. The plot never really makes sense, plot threads are left dangling (so what happens to Philip at the end?!), and certain character moments don't make any sense.
I suppose most of my issues are pet peeves. The biggest problem with the movie isn't something specific. It's just that the movie is kind of blah. It's just kind of there. It's not terrible. For me, it was worth watching because of Depp, McShane, and the mermaids. But everything else is just kind of blah. You can skip it.
BEST LINE:
Blackbeard (to Philip): Oh, you now? This is a chance to the show the worth of your prayers. Pray he be delivered froommmm...evil?
MVP:
Ian McShane is the clear winner here. This is just a fun performance. McShane is smart. He knows that the best villains are not over the top, and his Blackbeard is generally low key. He is evil. He's a bad, bad man, and he knows it. He doesn't need to show it off. Some villains in movies seem so insecure in their villainy that it seems they are overcompensating with crazy, over-the-top acting (this was especially true in the 80s). But Blackbeard doesn't need to show off his villainy. He's so confidant that he seems almost bored by it. And I don't think the character was written that way. I think it was a choice that McShane made. And it is a really good one. McShane gets my MVP.
TRIVIA:
Penelope Cruz was pregnant during the production period. As filming continued, that baby bump started to become really difficult to hide. But luckily Penelope has a sister, Monica. The producers decided to be sneaky and use Penelope for all the closeups and Monica for all the wide shots. I actually didn't notice, and I went back and looked. They must really look a lot alike!
Showing posts with label Johnny Depp. Show all posts
Showing posts with label Johnny Depp. Show all posts
Sunday, May 19, 2013
Friday, April 29, 2011
The Tourist

The Tourist
Alexander Pierce is a mysterious fugitive who has stolen a massive amount of money from a gangster and is also wanted by the British authorities (led by Paul Bettany from A Beautiful Mind and a former James Bond, Timothy Dalton) because he owes $744 million in back taxes to England. Pierce’s lover Elise (Angelina Jolie) is told to throw the hunters off his scent by picking a random shlub on the train to Venice and showering him with attention so that the police and the gangsters will suspect him, taking the heat off the real Alexander Pierce. The poor shlub just happens to be Frank (Johnny Depp), a boring math teacher who is visiting Italy. What is supposed to follow is a fun, sexy romp of mistaken identity, thrilling escapes from bad guys and heated chemistry between Elise and Frank.
The problem is, frankly, the movie is kind of boring. Angelina Jolie and Johnny Depp never quite work the screen like you want – the problem is the movie doesn’t know what it wants. They have two choices. 1) They can follow the storyline and have the hapless innocent, slightly dull, fish out of water being wooed by a women waaayyy out of his league – in this case, your chemistry should be forced because that is where you get the drama (and the humor). Or 2) the other option is to forget realism and go straight for Hollywood hotness. Who cares if he is playing a boring math teacher; this is Johnny Depp, one of the sexiest men in the world. And he is sharing the screen with one of the sexiest women in the world. Let them smolder! You can go either direction and be effective, but the problem with The Tourist is that they want it both ways and that just can’t work. The movie probably works best when they let Depp play bumbling. His terrified dash into the bathroom when he is first attacked by the Russian gangsters is a funny scene and provided the proper vibe that the whole movie should have had. Instead, the movie's tone wobbles all over the place, with some scenes played for broad laughs and others seemingly deadly serious. The movie is also burdened with a few twists that are in the movie just for the sake of having a twist. The big twist is clearly just there for effect and makes absolutely no sense when you consider the rest of the movie. It is one of the more poorly conceived twists I have seen in a long, long time.
It’s a pity because the movie could have been fun. It looks great, the supporting cast (which also includes Rufus Sewell from Dark City) is solid, and the Venice scenics are stunning to behold. The director is Florian Henckel von Donnersmarck, who directed the Oscar-winning The Lives of Others and the writers include the awesome scribes Christopher McQuarrie (The Usual Suspects) and Julian Fellowes (Godsford Park). So it really is just a shame the whole thing never quite works. The Tourist desperately wants to be To Catch a Thief, the Hitchcock masterpiece starring Cary Grant and Grace Kelly. Instead, it’s a missed opportunity and a dull one at that.
BEST LINE:
BEST LINE:
Inspector: "You wish to report a murder?"
Frank: “Attempted murder.”
Police: “That's not so serious.”
Frank: “Not when you downgrade from murder. But when you upgrade it from room service, it's quite serious.”
MVP:
I think I will go with the Director of Photography, the terrific John Seale (Oscar winner for The English Patient). If nothing else, The Tourist is a great looking movie, with terrific use of lighting and composition. When the action on screen wasn’t working for me, I could always switch my brain over and admire Seale's artistry at work. It doesn't hurt that he knows how to capture Venice at her alluring and mysterious best. I think I need to go be a tourist myself...
TRIVIA:
Tom Cruise was originally going to play Frank, but then dropped out. He was replaced by Sam Worthington, who also dropped out due to creative differences. Cruise and Worthington...chose wisely...
Sunday, March 14, 2010
Alice in Wonderland
Alice in WonderlandYou would think that Tim Burton and Alice in Wonderland would be a perfect match, a dynamic duo of perfection like Batman and Robin, Abbot and Costello or Cheese and Burgers. In so many ways, this movie could have been a classic, but instead Burton's inane film is just a series of one classic blunder after another. Alice in Wonderland completely and utterly fails to live up to its potential. This is easily Burton's worst film since his Planet of the Apes remake.
The problem is deep-rooted and lies in the very concept of the film. Instead of a remake or an adaptation of Lewis Carroll's stories, this is more of a sequel. A teenage Alice (Mia Wasikowska) returns to Wonderland - though she doesn't remember anything of her earlier adventure. The story that follows contains all of our familiar iconic characters, but instead of a romp through Wonderland, we have a bunch of gibberish about fate, magic swords, and The Chosen One. Burton has basically taken all of the characters from Wonderland and shoehorned them into a Chronicles of Narnia or Lord of the Rings movie. And they just don't fit. When the very concept is unsound, it is hard for any movie to recover.
Is the movie all bad? If nothing else, Burton has assembled a wonderful cast. Even if the movie is bombing, it was nice to hear Alan Rickman's Caterpillar and Stephen Fry's superb Cheshire Cat. Matt Lucas also does good work as Tweedledee and Tweedledum, and Helena Bodham Carter is a great Red Queen (more on her later). The cast and voice cast also includes Johnny Depp, Anne Hatheway, Christopher Lee, Crispen Glover, Michael Gough, Timothy Spall, and Michael Sheen - some do better than others, but you can't deny the talent up there on the screen.
Which leads me to Johnny Depp as the Mad Hatter. This character is perfect for Depp and should have been a great opportunity. Instead, his Mad Hatter is just too mad. He is all over the place - schizophrenically changing accents and personalities with no rhyme or reason. As my friend said, "I don't know what he wants us to do with this performance."
Now you may say, "James, A) he is supposed to be crazy! or B) the performance is just great indicator of his madness!" To which I reply that Mad Hatter's performance only A) gave me a headache, and B) made me angry because Johnny Depp should know better than this. I don't care if he is supposed to be crazy. He's really just annoying.
What else can I say? Even the special effects are unremarkable and Wonderland looks...dare I say, it looks boring. It's all been done before. And that hurts to say when the visually inventive Burton is involved. Everything in this movie has been done before and done better. Alice in Wonderland could have and should have been so much more. What a waste.
TRIVIA: Here's something interesting - Burton didn't want to direct Alice in Wonderland at first because he felt there was no story. It was just a sequence of unconnected moments and that didn't interest him. Only when he found a central narrative to link everything together did he excitedly jump onboard. And this is the story that interested him?!? Did he just watch The Lion, The Witch, and the Wardrobe and think "oh, there's my Alice in Wonderland story!"??? Stupid. SPOILER ALERT HERE: So at the end of the film, Alice has one of these flashback moments where she remembers everything from her first adventure, and we are treated to a quick montage of the famous Alice events - the tea party, painting the white roses with red paint, chasing the White Rabbit - and I thought to myself that "hey, that looks great. Why am I not watching that movie!?"
MVP: I have to go back to Helena Bodham Carter because she is terrific. Unlike Depp and Burton, who drop the ball with what should have been a home run, Carter completely embodies the Red Queen. This is a perfect synthesis of character and actor. She is wonderfully funny, vain, cruel, and clueless. She is an absolute treat to watch in this film. What a greater treat if she had been in a real Alice movie!
BEST LINE: "I need a pig here!"
OSCARS: Best Art Direction, Best Costume Design
OSCAR NOMINATIONS: Best Visual Effects
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