Gravity
Beware the hype machine! When you have critics raving about Gravity being one of the best movies in years, and then filmmakers like James Cameron stating that Gravity is possibly the greatest space movie ever...well, that's dangerous. And it is setting the bar impossibly high. Pre-conceived notions can ruin a movie. The result is that people may not know what to expect from Gravity, but if they don't get the greatest theatrical experience of their lives, they are bound to be disappointed.
'That movie wasn't about anything,' they might complain. 'It looks cool, but nothing much happens.' And technically, they would be correct. The story is not original, and it's also fairly slight. A NASA shuttle crew is in space, working on the Hubble Telescope, when they run afoul of a pile of space shrapnel, destroying their shuttle and leaving only two crew members alive, mission commander Matt Kowalski (George Clooney) and Dr. Ryan Stone (Sandra Bullock). Stranded in space and running short on oxygen, they need to think of a way to escape back to Earth.
And that's about it. I'm not hiding any plot twists or anything. That is literally all there is to it, story-wise. But the story doesn't need to be more than that. Why pad the runtime with subplots that will only dilute the film? This is lean and efficient storytelling, without an ounce of fat.
You know what? I think I am about to be a hypocrite and add to the hype machine. This is easily one of the most dazzling movies of the year - both in terms of its visuals and in terms of the filmmaking prowess. Directed by Alfonso Cuaron, Gravity is a movie for movie lovers. Cuaron is breaking new ground in terms of camera work and the use of the CGI (and most fascinating to me, the innovative combination of the cinematography with the effects work). Cuaron loves long takes, and there are multiple scenes in this movie that go on for an insanely long periods of time without the camera cutting away. That must have taken an immense amount of intricate planning between the director, the camera operators, and the actors who had to hit their spots perfectly every single time. This must have been such a painstaking process and I am in awe of what they achieved.
I would even recommend seeing the movie in 3-D, which is a surprise coming from me, because I don't normally like 3-D. It's an over-priced gimmick, and one that is normally done poorly. Even when it is done well, I don't think it really adds anything to the film. Besides, those glasses give me a headache. But Gravity was a headache worth having!
The acting is also very good. Bullock carries much of the film on her shoulders, revealing a depth that I haven't really seen in her other work, including her Oscar-winning turn in The Blind Side. And Clooney is great, too. Some folks say, 'he's just acting like Clooney,' but I disagree. Pay attention to when the suave charmer we all know shifts into Mission Commander mode and starts barking orders. It's a subtle shift, the way he plays it, but not any less effective because of it. I thought he was great.
As is the whole film. There is one moment near the end that annoyed me, the one time the movie breaks into a Hollywood formula, but other than that, I was with this roller coaster ride. Gravity is one of the most effective films of the year, full of tension and emotion, and I easily think it is one of the top contenders for Best Picture come Oscar time.
That is - if the backlash doesn't swoop in and derail its growing reputation. Which would really be shame. Look, this is not the greatest space movie of all time, but it is still fantastic. Don't let the hype get in your head because it might just ruin a brilliant film. I was utterly absorbed, and I hope you are just as thrilled by the movie as I was. Yes, Gravity is simple, but it is cinema as art, and it is simply brilliant.
MVP:
No doubt in my mind, this is Cuaron's MVP award. And it is his filmmaking style that elevates Gravity into a work of art. His insistence on long takes and slower pacing just makes the movie more effective and suspenseful (watching the scene where Stone has to release some clamps near the International Space Station had me so close to the edge of my seat, I almost fell off! And it is also one, long, stable shot...so take that, Hollywood, with your insistence of shaky cam and over-editing scenes to pieces!). Anyways, Cuaron is brilliant, and so is Gravity.
BEST LINE:
Dr. Ryan Stone: I hate space.
TRIVIA:
In terms of trivia, I always think it is fun to hear about who was originally cast in a film. Before Sandra Bullock, the lead character was to be played by Angelina Jolie, but she dropped out. Natalie Portman was also offered the part, but she turned down the role shortly before announcing her pregnancy. Robert Downey, Jr, was to play Kowalski, but he also dropped out, opening up the role for Clooney.
Showing posts with label Sandra Bullock. Show all posts
Showing posts with label Sandra Bullock. Show all posts
Wednesday, November 20, 2013
Saturday, February 20, 2010
The Blind Side

Wow. What a year for Sandra Bullock. Not only did her romantic comedy with Ryan Reynolds, The Proposal become her most successful comedy ever (over $300 million worldwide), but she overcame cynics and critics with The Blind Side, which has now become a monster blockbuster ($247 million and counting) and has even pushed into Oscar territory with two major nominations - Best Picture and Best Actress.
So what is the big deal? I saw the previews and thought the movie looked like a saccharine, sentimental, and maybe even patronizing piece of fluff. But The Blind Side has struck a chord with audiences, and I had to find out why.
Based on the true story, The Blind Side is the story of the Tuowy's, a well-to-do Southern family who take in a homeless student named Michael. Led by the matriarch Leigh Anne (Sandra Bullock), the Tuowys provide a stable support network for the quiet and withdrawn Michael, who has spent his life shifting from rundown foster home to rundown foster home. With his sheer size and strength, it is obvious that Michael was born to play football, and...well, there you go. That's about all there is to it.
Sounds pretty uninteresting, but the movie is surprisingly effective - written and directed with a sure hand by John Lee Hancock (The Rookie), with strong performances from Bullock and Quentin Aaron as Michael, the movie stays even-handed and refuses for the most part to engage in manipulative sentimentality. I say for the most part because it crosses the line egregiously once or twice - such as in an exchange Leigh Anne has with her friends. Her friend says, "You're changing that boy's life." Leigh Anne says, "No, he's changing mine." And I say, "Blaeeaaggghhhh" (is that what vomit sounds like?).
Graced with some solid acting and writing, and some genuinely funny moments (many of the football sequences are played for some big laughs), The Blind Side is an engaging, well-made, and touching film. But is it remarkable? Is it worthy of a Best Picture nomination? I don't know. I think I know why audiences have been so receptive. Movies these days have by and large grown very cynical, but The Blind Side is just the opposite. It leaves a warm feeling in audiences because it depicts human decency and kindness as virtues. In these tough times, it seems like the government can't do much, but we as human beings can and should help each other. The film provides us with real characters that we can admire and emulate, and it is a true story! How can you not feel good about that? And what is most effective is that the film does not bludgeon you over the head with this theme. It just puts the story out there and for the most part lets us react.
I think critics were lukewarm for the same reason audiences loved it. The movie isn't cynical enough for them. It wasn't gritty enough. Critics may have liked it more if there has been more darkness and violence, more crack-addicted mothers shooting themselves up in front of their children, and maybe if the Tuowys were a manipulative family that adopt Michael for the sole purpose of taking advantage of his natural talent in football for their own gain. Ah, yes! That's a movie that critics would like...
The Blind Side, for all of its faults, and there are many, refuses to do that. It just presents a good story about good people, and it tells that story well. Sometimes that's all you need.
MVP: This is Sandra Bullock's year and she gives a nomination-worthy performance, but I was actually more impressed with Quintin Aaron as Michael Oher. His work is subtle, and he spends so much of the movie silent, passive and ambiguous, that even the smallest smile has an impact. And when he finally does have an emotional breakdown when he returns to his old neighborhood, the scene is brutally effective. Bullock has all the good lines and sells her part like a pro, but it is Aaron's quiet strength that dominates the movie.
TRIVIA: So what happened to Michael Oher? I'm not ruining anything since this is a true story - he was drafted by the Baltimore Ravens in 2009 and had a pretty kick-ass rookie year. And it looks like he is only going to keep getting better.
BEST LINE: Sean Tuowy upon discovering Michael's tutor is a liberal. "Who would have thought I'd have a black son before I met a Democrat."
OSCARS: Best Actress (Sandra Bullock)
OSCAR NOMINATIONS: Best Picture (lost to Hurt Locker).
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