Gravity
Beware the hype machine! When you have critics raving about Gravity being one of the best movies in years, and then filmmakers like James Cameron stating that Gravity is possibly the greatest space movie ever...well, that's dangerous. And it is setting the bar impossibly high. Pre-conceived notions can ruin a movie. The result is that people may not know what to expect from Gravity, but if they don't get the greatest theatrical experience of their lives, they are bound to be disappointed.
'That movie wasn't about anything,' they might complain. 'It looks cool, but nothing much happens.' And technically, they would be correct. The story is not original, and it's also fairly slight. A NASA shuttle crew is in space, working on the Hubble Telescope, when they run afoul of a pile of space shrapnel, destroying their shuttle and leaving only two crew members alive, mission commander Matt Kowalski (George Clooney) and Dr. Ryan Stone (Sandra Bullock). Stranded in space and running short on oxygen, they need to think of a way to escape back to Earth.
And that's about it. I'm not hiding any plot twists or anything. That is literally all there is to it, story-wise. But the story doesn't need to be more than that. Why pad the runtime with subplots that will only dilute the film? This is lean and efficient storytelling, without an ounce of fat.
You know what? I think I am about to be a hypocrite and add to the hype machine. This is easily one of the most dazzling movies of the year - both in terms of its visuals and in terms of the filmmaking prowess. Directed by Alfonso Cuaron, Gravity is a movie for movie lovers. Cuaron is breaking new ground in terms of camera work and the use of the CGI (and most fascinating to me, the innovative combination of the cinematography with the effects work). Cuaron loves long takes, and there are multiple scenes in this movie that go on for an insanely long periods of time without the camera cutting away. That must have taken an immense amount of intricate planning between the director, the camera operators, and the actors who had to hit their spots perfectly every single time. This must have been such a painstaking process and I am in awe of what they achieved.
I would even recommend seeing the movie in 3-D, which is a surprise coming from me, because I don't normally like 3-D. It's an over-priced gimmick, and one that is normally done poorly. Even when it is done well, I don't think it really adds anything to the film. Besides, those glasses give me a headache. But Gravity was a headache worth having!
The acting is also very good. Bullock carries much of the film on her shoulders, revealing a depth that I haven't really seen in her other work, including her Oscar-winning turn in The Blind Side. And Clooney is great, too. Some folks say, 'he's just acting like Clooney,' but I disagree. Pay attention to when the suave charmer we all know shifts into Mission Commander mode and starts barking orders. It's a subtle shift, the way he plays it, but not any less effective because of it. I thought he was great.
As is the whole film. There is one moment near the end that annoyed me, the one time the movie breaks into a Hollywood formula, but other than that, I was with this roller coaster ride. Gravity is one of the most effective films of the year, full of tension and emotion, and I easily think it is one of the top contenders for Best Picture come Oscar time.
That is - if the backlash doesn't swoop in and derail its growing reputation. Which would really be shame. Look, this is not the greatest space movie of all time, but it is still fantastic. Don't let the hype get in your head because it might just ruin a brilliant film. I was utterly absorbed, and I hope you are just as thrilled by the movie as I was. Yes, Gravity is simple, but it is cinema as art, and it is simply brilliant.
MVP:
No doubt in my mind, this is Cuaron's MVP award. And it is his filmmaking style that elevates Gravity into a work of art. His insistence on long takes and slower pacing just makes the movie more effective and suspenseful (watching the scene where Stone has to release some clamps near the International Space Station had me so close to the edge of my seat, I almost fell off! And it is also one, long, stable shot...so take that, Hollywood, with your insistence of shaky cam and over-editing scenes to pieces!). Anyways, Cuaron is brilliant, and so is Gravity.
BEST LINE:
Dr. Ryan Stone: I hate space.
TRIVIA:
In terms of trivia, I always think it is fun to hear about who was originally cast in a film. Before Sandra Bullock, the lead character was to be played by Angelina Jolie, but she dropped out. Natalie Portman was also offered the part, but she turned down the role shortly before announcing her pregnancy. Robert Downey, Jr, was to play Kowalski, but he also dropped out, opening up the role for Clooney.
Showing posts with label George Clooney. Show all posts
Showing posts with label George Clooney. Show all posts
Wednesday, November 20, 2013
Saturday, January 29, 2011
Michael Clayton

2007 was actually a pretty good year for cinema. With There Will Be Blood, No Country for Old Men and Atonement all battling for the critics' love, and the indie circuit basking in Juno's glow, I would have expected Tony Gilroy's Michael Clayton to get lost in the shuffle. And yet, Michael Clayton managed to make a nice, little dent in the box office and win some real critical love, appearing on many of the top ten lists at the end of the year and bringing in seven Academy Award nominations.
A serious-minded film that resists MTV-style editing in favor of a more measured pace, and that refuses to dumb down its story or dialogue for the audience, Michael Clayton is about Michael (George Clooney), a law firm's "fixer" who is sent in to solve the firm's biggest problems. The current problem is that Michael's good friend and firm partner Arthur (Tom Wilkinson, Batman Begins) has stopped taking his medication for his manic-depression. Poor Arthur stripped naked during a deposition and chased the opposing legal team out into the parking lot. It's up to Michael to find Arthur, reign him in, and discover why he went bonkers. Arthur's client, a billion dollar chemical company mired in a class action law suit, is understandably enraged; one of their lead executives Karen Crowder (Tilda Swinton, The Lion, the Witch and the Wardrobe) considers taking matters into her own hands.
Doesn't sound very exciting, does it? But in the assured hands of screenwriter-director Tony Gilroy, Michael Clayton is classy cinema, beautifully shot by Robert Elswit (who actually won the Oscar that same year for There Will Be Blood), and superbly acted by a quality ensemble, that included the late, great director Sydney Pollack (Tootsie). Given the quality of the creative team involved, it should be no surprise how good the film is. The first 2/3 especially are enthralling.
The last 1/3 does begin to unravel a bit. Much of the film is told through flashback, so the climax of the film is absolutely devoid of tension, which is a big mistake. And then following the climax, we just kind of grow through the same motions we've seen a thousand times before in other movies and TV shows. It's not that the ending is bad. The scenes work, especially because it gives both Clooney and Swinton showcase dialogue to speak - I just wish that Gilroy had brought something new and original to the table, especially considering how intriguing the first 2/3 of the movie were.
But all in all, it is a very good film. I'm glad it managed to carve out a bit of a fan club. It would have been a shame if this had gone buried and unseen.
Last note - stay for the credits for probably Clooney's best acting in the film!!! It's subtle stuff, but brilliant.
OSCARS: Tilda Swinton, Best Supporting Actress
NOMINATIONS: Best Picture, Best Director (Gilroy), Best Original Score (James Newton Howard), Best Actor (Clooney), Best Supporting Actor (Wilkinson), Best Original Screenplay (Gilroy).
MVP: George Clooney just owns the screen whenever he is on camera with some good old fashioned movie star charisma. It's more than charisma, though. Anyone who says Clooney always just plays Clooney should really take a deeper look at this performance. Sure, the Clooney confidence is there, but there is no charm. Michael Clayton really does nothing but ruffle feathers for most of the film's running time. He's actually kind of a jerk - but seeing this soulless jerk rediscover his conscience is kind of the point of the movie. It's a great, layered performance, and Clooney deserved his Oscar nomination (he lost to Daniel Day-Lewis for There Will Be Blood). Actually, it might actually be the best performance of his career so far...I'll have to think about that one...
TRIVIA: Both George Clooney and Michael O'Keefe, a rival lawyer at the firm, played boyfriends of Laurie Metcalf on Roseanne.
BEST LINE: Michael: "I'm not the guy you kill, I'm the guy you buy! I'm your easiest problem and you're gonna kill me??"
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