Man with the Golden Gun
Man with the Golden Gun hurts. That's probably the best way to put it. Roger Moore's second outing as James Bond isn't awful (though there is a lot that is awful in it), but it should have been so much better. There is so much potential here. It could have - no, it should have been one of the great films of the franchise. But unfortunately, it just doesn't come together.
That fact also makes Man with the Golden Gun a bit hard to review because so much of the film veers from good to bad and then back again (sometimes within the same scene). This extends even to the plot. Francisco Scaramanga is the world's greatest assassin, who uses a golden gun as his weapon of choice. He charges $1 million a shot - which is all he ever needs to get the job done. And it seems as if he has now set his sites on James Bond, sending a golden bullet to MI6 headquarters as a warning that he is targeting the British super spy. Now Bond has to find out why before he is assassinated. That's an interesting plot, and not the type of story you ordinarily see in a Bond film. Unfortunately, there is also a nonsense storyline about Scaramanga's solar powered super laser weapon that he plans to sell off to the highest bidder, a story device that is obviously shoehorned in because the studio wanted the villain's plan to be more grand while also taking advantage of the energy crisis impacting most of the world at that time. The laser weapon is silly, and doesn't make any sense - Scaramanga is an isolated, refined man who does not like attention. He prides himself on his secrecy. So the fact that he is also a mad scientist who has created a laser weapon which he plans to very publicly auction off to the world's countries just doesn't make a lick of sense.
The film wastes a lot of time on this storyline - time that would have been better spent developing one of the major ideas of the film - that Bond and Scaramanga are two sides of the same coin. A slight nudge in either direction, and you could easily believe that Bond and Scaramanga could be on the same side. Bond is also the only man Scaramanga respects and perhaps even fears. And this invigorates him; indeed the thought of competing against Bond is the only thing that breaks Scaramanga out of his quiet, stiff upper class stoicism. It's a fascinating character dynamic...which sounds a whole lot more interesting in this paragraph than in the movie because the movie doesn't go there. It certainly HINTS at it, and acknowledges it once with one short dialogue exchange at the end, but it never does anything with it. Such potential wasted!
Unfortunately, the whole movie plays this way. You have one of the very worst Bond girls in Britt Ekland's inept Miss Goodnight and one of the most intriguing in Maud Adams' Andrea. You have some dark encounters (like Bond's separate interrogations of Scaramanga's arms dealer and Andrea) and some bizarre elements (like Scaramanga's flying car and fun-house death trap). Bond films can be gritty and they can be absurd. I don't think I've seen one that tries to mix the two like this, forcing the film into two tones that are completely at odds with each other. So the movie as a whole just never really works.
I know this all sounds bad. But I have to stress that there is a lot to like here, and it is definitely worth seeing because the elements that work are quite good. Scaramanga and Bond's cat and mouse game is excellent, Andrea's storyline gives us one of the better twists of the entire franchise, and we even get a random and quite bad karate scene which is obviously in the movie to cash in on the martial arts craze sweeping theaters and doesn't make a lick of sense, but still manages to be entertaining at the same time. And I of course need to mention the acting of Christopher Lee and Roger Moore, who play off each other really well. Lee, who was a cousin of Ian Fleming, makes a superb Scaramanga. He is every bit Bond's equal and the fact that he is not James Bond's greatest enemy has nothing to do with Christopher Lee's performance and everything to do with bad storytelling!
The movie also manages to do one other thing quite well. Live and Let Die is a better film, but it can't survive the presence of Sheriff J.W. Pepper who drags the entire film down with him. Well, J.W. Pepper was so inexplicably popular (WHY?!?!?!??!) that they brought him back for Man with the Golden Gun. He is conveniently vacationing in Thailand and bumps into Bond during a car chase. And once again he is the worst thing about the movie. But Man with the Golden Gun pulls off the impossible; it survives his presence.
And that is pretty remarkable.
RANKINGS
It's interesting. I put this film right up next to Live and Let Die, which is almost its polar opposite. Live and Let Die, when you think about it, is pretty stupid, but it works for long stretches. Whereas Man with the Golden Gun should be so good, and just continues to let you down throughout the film's runtime. But the film's potential and its good qualities are too intriguing for me put it too far down on the list. I'd put it right in the middle, under Live and Let Die and above Diamonds are Forever.
So here are the rankings:
1. Thunderball
2. From Russia With Love
3. Goldfinger
4. Dr. No
5. Live and Let Die
6. Man with the Golden Gun
7. Diamonds are Forever
8. On Her Majesty's Secret Service
9. You Only Live Twice
BEST LINE:
James Bond: I mean, sir, who would pay a million dollars to have me killed?
M: Jealous husbands! Outraged chefs! Humiliated tailors! The list is endless!
TRIVIA:
Man with the Golden Gun is important for another reason. It was the last film co-produced by Harry Saltzman. Saltzman and Broccoli's relationship had been souring over the course of the production and by the end of it, Saltzman (saddled with mounting debts) was forced to sell his stake in the franchise. Among the many disagreements between Saltzman and Broccoli was whether or not to include a scene featuring an elephant stampede. Broccoli and the production staff balked, but Saltzman continued looking into it. He discovered in his research that elephants require a specific type of shoe for their feet when they are running on hard surfaces.
Months later, while filming in Thailand, Broccoli got a call that his 2,600 pairs of elephant shoes were ready (!!!). Saltzman apparently ordered them, thinking he'd be able to convince everyone to include the scene. When that didn't happen, I suppose he forgot to cancel the order. Broccoli was incensed and refused to pay the shoemaker. So far as I know, I don't think Eon has paid him back even to this day.
MVP:
I know you expect me to go with Christopher Lee. And while Lee is terrific actor (and has won my MVP award in the past), he is not in serious contention for the award in Man with the Golden Gun. Nope, the choice is really easy for this one. I present you with this YouTube clip. Be warned, you may want to consider watching this with no sound because the dialogue and corkscrew effect almost ruin what is...The. Greatest. Car. Stunt. Ever.
Yep, no special effects there. That is a real car with a real driver in the first stunt ever conceived with a computer program. The stunt team wasn't sure if it was even going to work. They unbelievably got the stunt right on the first try. When the director suggested they get a second take, the crew absolutely refused.
Shame about that damn corkscrew sound...still, that stunt gets my MVP!
